Imagination
1. Words are for contemplation and aim to
stimulate;
they are born of observation at a given point
in time.
As dance moves, so does thought.
2. Improvising conveys a person's thought
and feelings at a specific time
- not waiting to be conclusions, these feelings
and thoughts are able and desirous enough to take
form...to be performed... movement coming from
all of the many centres in the body.
3. The body has a potential of a wide range
of expression and recognition of its environment.
It can orientate itself at the same time both
in the tangible world of its sorroundings
and the intangible world of its imagination.
In the improvised moment the audience is present
as the dance
deals creatively with these two spheres.
4. The
body prefers differentation and individuation more than generalization
and conclusions.
The body uses movement to expose the imagination.
In movement, imagination becomes physical.