workshops
workshops ........
2012....
PARIS / FRANCE
"VOICE" - 2 week course
April 16 - 27 2012
Organized by Patricia Brouilly - CanalDanse
APPLICATIONS for these courses to:-
canaldanse@yahoo.fr
www.canaldanse.com
also ........open workshop
on April 14 - 15 weekend
..... see details at www.canaldanse.com
at .................... Micadanses's studios.
studio MayB at Micadanses 15 rue Geoffroy l'Asnier 75004 Paris
PARIS / FRANCE
week end / 2 day course
February 25 + 26 2012
Feb 25 : saturday 14.00 - 18.00 - workshop
Feb 26 : sunday 14.00 - 18.00 - workshop
at Canaldanse Studio
102 bd de la Villette at Paris 19th
- metro Colonel Fabien
Organised at the invitation and initiative of Patricia Brouilly / Canaldanse with the support of Micadanses at Micadanses's studios.
(studio MayB at Micadanses 15 rue Geoffroy l'Asnier 75004)
AMSTERDAM / HOLLAND
" EVOLVING TECHNIQUE
and MAKING DANCES "
January 9 - 20 2012
Organized by Weijke Koopmans
Talmastraat 6c/1073 JW Amsterdam/NL
wkoopmans@wanadoo.nl
2011....
BERLIN / GERMANY
'MUSICALITY and its SPACE'
December 12 - 16 2011
at SCHWELLE7
Berlin
www.schwelle7.de
info@felixruckert.de
NEW YORK / USA'Three Days in Space'
November 29 + December 1 + 3
Organized by Movement Research
www.movementresearch.org/classesworkshops/festival/index.php
MINNEAPOLIS / USA
'Making Dances and Evolving Compositional Abilities'
November 3 - 7 2011
contact : Lisa First / Monica Thomas
linkvostok@aol.com
ARLEQUI / SPAIN
September 2 - 12 2011
Organized by Anna Borreda
www.arlequi.de
anna@arlequi.de
BRUXELLES / BELGIUM
'SPACE and SILENCE'
June 13 - 18 2011
Organized by DCJ - danscentrumjette
E. Van Cauwenberghstraat 55
1080 Brussel
Belgium
0032 (0)2 427 36 56
www.danscentrumjette.be
danscentrumjette@skynet.be
SESTO FIORENTINO / FIRENZE ITALY
'TIME and RHYTHM'
May 26 - 29 2011
10.00-12.30 and 13.00-15.00
fee: 180€
Hamilton's pedagogy centers on creativity in performance with its main
areas of study being space, time, voice and dramaturgy. This workshop will be focused upon Time and Rhythm.
I am interested in our ability to use TIME as we move create and communicate on stage.
- present, past, future
- other dimensions of time
- linear and non-linear time
- time perceived through different senses of the dancing body
- the public's awareness of time.
How the performer listens to the element of time and how she/he uses it to direct work in front of a public is both a compositional and a performing concern.
How we perceive ourselves in time and how we might harness its qualities to expose and share our material in performance, will be the main thread of the workshop.organised by COMPANY BLU
contact : companyblu@companyblu.it
www.companyblu.it
PARIS / FRANCE
"VOICE" - 2 week course
April 11 - 23 2011
Organized by Patricia Brouilly - CanalDanse
APPLICATIONS for these courses to:-
canaldanse@yahoo.fr
www.canaldanse.com
also ........open workshop
on April 9 - 10 weekend
..... see details at www.canaldanse.com
at .................... Micadanses's studios.
studio MayB at Micadanses 15 rue Geoffroy l'Asnier 75004 Paris
PARIS / FRANCE
week end / 2 day course
February 19 + 20 2011
Feb 19 : saturday 14.00 - 18.00 - workshop
Feb 20 : sunday 14.00 - 18.00 - workshop
at Canaldanse Studio
102 bd de la Villette at Paris 19th
- metro Colonel Fabien
Organised at the invitation and initiative of Patricia Brouilly / Canaldanse with the support of Micadanses at Micadanses's studios.
(studio MayB at Micadanses 15 rue Geoffroy l'Asnier 75004)
AMSTERDAM / HOLLAND
" EVOLVING TECHNIQUE
and MAKING DANCES "
January 10 - 21 2011
Organized by Weijke Koopmans
Talmastraat 6c/1073 JW Amsterdam/NL
wkoopmans@wanadoo.nl
2010
MILANO / ITALY
" MAKING DANCES "
nov 24 - 28 2010
workshop to be held in : Milano - TRIENNALE BOVISA
Organized by Takla Improvising Group
tel : +39 02-55 19 22 67 / 335-83 80 533
info@takla.it
www.takla.it
ARLEQUI / SPAIN
September 3 - 13 2010 fully booked
Organized by Anna Borreda
www.arlequi.de
anna@arlequi.de
ATHENS / GREECE
June 29 - July 2 2010
further details very soon ....
'making performance : music and dance'
a course for musicians and dancers
taught by Marjolaine Charbin / Julyen Hamilton
contact: dafnistef@hotmail.com
BRUXELLES / BELGIUM
'SPACE and SILENCE'
June 14 - 19 2010
Organized by DCJ - danscentrumjette
E. Van Cauwenberghstraat 55
1080 Brussel
Belgium
0032 (0)2 427 36 56
www.danscentrumjette.be
danscentrumjette@skynet.be
FABRIK POTSDAM / GERMANY
as part of the 20th Potsdamer Tanztage
'THREE DAYS in SPACE'
May 20 - 21 - 22 2010follow this link
http://www.fabrikpotsdam.de/index.php?p=workshop&id=949&lang=DE
PARIS / FRANCE
"VOICE" - 2 week course
April 19 - 30 2010
Organized by Patricia Brouilly - CanalDanse
APPLICATIONS for these courses to:-
canaldanse@yahoo.fr
www.canaldanse.com
also ........open workshop
on April 16 - 17 weekend
..... see details at www.canaldanse.com
at .................... Micadanses's studios.
studio MayB at Micadanses 15 rue Geoffroy l'Asnier 75004 Paris
GENEVA / SWITZERLAND
'TIME and making dances'
March 29 - April 3 2010
Organized by Jean-Luc Grandin
tel : 00 41 22 731 13 13
for more information click here.
jlg.mambo@bluewin.ch
MILANO / ITALY
" MAKING DANCES "
Marzo 18 - 22 2010
ORARI: 18,19, 20 marzo h. 10>15 21 e 22 h. 11> 16
COSTO: 175 euro + 5 euro iscrizione associazione Takla 2009 - soci Takla sconto 10%LUOGO: Milano - Spazio Usi - viale Bligny 22 MM3 Porta Romana
Organized by Takla Improvising Group
tel : +39 02-55 19 22 67 / 335-83 80 533
info@takla.it
www.takla.it
PARIS / FRANCE
week end / 2 day course
February 27 - 28 2010
Feb 27 : saturday 14.00 - 18.00 - workshop
Feb 28 : sunday 14.00 - 18.00 - workshop
at Canaldanse Studio
102 bd de la Villette at Paris 19th
- metro Colonel Fabien
Organised at the invitation and initiative of Patricia Brouilly / Canaldanse with the support of Micadanses at Micadanses's studios.
(studio MayB at Micadanses 15 rue Geoffroy l'Asnier 75004)
canaldanse@yahoo.fr
AMSTERDAM / HOLLAND
20th YEAR
" EVOLVING TECHNIQUE
and MAKING DANCES "
January 4 - 15 2010
Organized by Weijke Koopmans
Talmastraat 6c/1073 JW Amsterdam/NL
wkoopmans@wanadoo.nl
My work is to make performance
- solo and company pieces - with dancers, musicians and other performers - and my process,
amongst others, is to create instantly on stage...
to compose instantly..to improvise.
This work demands -and has demanded- a thorough
and constant research into 2 areas:
one of COMPOSITION - how things are made
how they might go togetherand
one of TECHNIQUE - abilities needed to have
a close relationship between the creative self
and the mind/body
For many years I've been discovering and developing
ways to impart this knowledge, this awareness.Naturally influenced by all various physical experiences
-sport, dance training, philosophy-,
I can say that the studies of T'ai Chi, Alexander Technique and
Ki-Aikido have been radical in the clarifying and inspiring of the
development of the technical area.As for the Compositional area, I have been much stimulated
by musicians and writers as much as, if not more than,
choreographers; inspired specifically by the ways
many of the improvising musicians work together
in terms of the 'company' formation.
In the TECHNICAL area we study
how the body/mind works, how its energies are manifested,
the anatomy and its associated mythology and philosophy,
and how to direct the body to give and receive on
a kinesthetic wavelength.Spine / hips / and skin are some of the central interests
in this area at present.....along with the need
to be able to handle the weight
the perceptions and the ordination/co-ordination.
In brief, the technical work centers on kinesthetics
rather than aesthetics.
and uses often a process of 'reverse engineering'
to re-discover how we move, are moved.
In the COMPOSITION classes I deal with the subjects of
space / time / theatre / voice /
entrance-exit / music / object /
protagonist-antagonist-support.
These areas are required for at least 2 reasons:
1. to be able to have an awareness and a refinement of intention
when deciding spontaneously in the act of improvising.
2. to have some references as tools of simple analysis
to look in depth at what is made,
both by ourselves and the others when
working in a group configuration.
Without this ability -and the tools for it-
we are often at the mercy of our subjectivity and
seldom have the complementary power of our objectivity,
a state which can reduce the nature of our 'compositions' to the
merely personal and lacking in the 'universal' power.
The 2 areas of teaching -technique and composition-
naturally pose questions from one to the other,
interacting as a figure of 8 spiraling
through the passage of the lessons.A main interest now is also a detailed research into
the area of the moving body speaking and producing sounds;
this, integrating with the observation that the mind taps into
a certain layer of intelligence when moving.
JH august '99